Schoenberg and Redemption
9781108722070 New Perspectives in Music History and Criticism Heftet
20.12.2018
Engelsk
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Omtale
Julie Brown presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his early atonal works, his theoretical writings and previously unexplored archival documents, she argues that Schoenberg's revolutionary step was in part a response to Wagner's negative charges concerning the Jewish influence on German music.
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