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Imaging Religion in Film : The Politics of Nostalgia

Hamner, M. Gail

New Approaches to Religion and Power

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Omtale

This book offers a new methodology for examining the ethico-political dimensions of religion and film which foregrounds film's social power both to shape subjectivity and to image contemporary social contradictions and analyses three specific films: Kurosawa's Dersu Uzala ; Kiarostami's Taste of Cherry ; and the Coens' The Man Who Wasn't There .

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