The Theatre of Death – The Uncanny in Mimesis : Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor

Omtale

The abyss which separates the actors from the audience like the dead from the living…” If the relation between the living and the dead can be thought of in terms of an analogy with ancient theatre, how might avant-garde theatre be thought of in terms of this same relation “today”?